Visualizing the COVID-19 Pandemic: The Importance of Data Visualization in Communicating the Impact of a Global Crisis
A REVIEW OF PAUL KAHN’S “COVIC: COLLECTING VISUALIZATIONS OF COVID-19 TO OUTLINE A SPACE OF POSIBILITIES.”
GUZMAN, JAZMIN I.
BS ARCHITECTURE
AR135 ESSAYS AND REVIEWS
(SUMMARY)
The
COVID-19 pandemic began in China in January 2020 and spread rapidly throughout
the world. As a result, there was a sudden increase in data visualizations in
print and online to communicate the new phenomenon. The global impact of
COVID-19 caught everyone by surprise and motivated the collection of
visualizations. The ease of access to data visualization software, the rising
popularity of data journalism, and the ability to share images on social media
all contributed to this collecting activity. The question is raised as to why
collect these visualizations at all as they become historical artifacts and may
not hold value for certain groups of people such as data journalists, design
students, or virologists.
The
COVID-19 pandemic caused a disruption in daily life and a sense of uncertainty
about the future, which led to two communication needs. The first need was to
qualitatively communicate scientific understanding of the disease, its spread
and appropriate public health response through visualizations. The second was
to collect, quantify and publish data related to the spread and effect of the
disease in a visual format. This data was used by epidemiologists, political
leaders, economists, parents, and journalists to make decisions and tell a
story. The need for consistent and understandable data drove the use of
different types of charts such as histograms, bar charts and choropleth maps,
as well as inventive combinations to communicate the information.
The
pandemic led to the creation of thousands of visualizations to communicate
information about the disease and its impact. The authors of the article are
collecting these visualizations to study the problem space of the pandemic.
They are collecting visualizations based on two criteria: the presence of
visualizations related to the pandemic and the belief that the source of the
visualization is the article. The collection has been assembled
opportunistically and is limited to visualizations found through daily practices
such as reading, browsing, and searching, and the bulk of the collection was
recorded in the United States and France. The cultural bias and affordances of
the author, an English-speaking white American male, have shaped the content
and quantity of Anglo-American examples in the collection.
The
COVID-19 Visualizations Collection (COVIC) is a problem space consisting of
visual representations and not the articles themselves. The collection captures
interaction technique, visual technique, and visualization types at the figure
level and assigns subject, publisher, and publication date to the article. The
collection is intended to be a resource for ongoing research in various
disciplines such as graphic and information design, journalism, public health,
epidemiology, economics, cognitive psychology, and computer science. COVIC is a
boundary object by nature of the events that generated it and can be used to
support research into a diverse range of questions. The concept of a problem
space is not widely developed in design practice and this kind of timely,
opportunistic, digital collection exemplifies a new approach- collecting and
preserving enough design samples during an event to describe a space. COVIC can
be important for discussing and evaluating design solutions and also serves as
an example of a new approach to knowledge building and design research.
COVIC
is a collection of visualizations related to the COVID-19 pandemic that was
created by assembling visualizations from various sources and organizing them
into a problem space. The authors used an iterative method to collect
visualizations and created metadata for examples. They stored the collection in
a spreadsheet-database hybrid platform and created a viewer that allows users
to search, sort, filter, and examine sets of images and their associated
metadata. COVIC is different from other disaster archives because it is being
created during the pandemic event, allows them to respond to the ephemeral
nature of online materials, and focuses entirely on visualizations rather than
representing the entire complex global event. They also acknowledged the
Collection of COVID-19 Visualization Worldwide, hosted at Peking University
Visualization Lab, which reinforced their vision.
The goal of the collection is to create a "problem space" of visual representations that can be used by researchers across various disciplines to understand the pandemic and its impact. The collection was created using an iterative method, where visualizations were collected and classified using an ad-hoc classification scheme. The collection also compares COVIC to other disaster archives and highlights the differences, such as being created during the pandemic and focusing on visualizations rather than other types of information. The article concludes by stating that the collection will be a useful resource for ongoing research and critique of visualizations during times of global crisis.
(ANALYSIS
– Argumentative claims and its supporting ideas)
1. The COVID-19 pandemic led to a sudden increase in data visualizations in print and online.
Supporting
idea: The ease of access to data visualization software, the rising popularity
of data journalism, and the ability to share images on social media all
contributed to this collecting activity.
2. The pandemic caused a disruption in daily life and a sense of uncertainty about the future, which led to two communication needs: the need to qualitatively communicate scientific understanding of the disease, and the need to collect, quantify and publish data related to the spread and effect of the disease in a visual format.
Supporting
idea: This data was used by epidemiologists, political leaders, economists,
parents, and journalists to make decisions and tell a story.
3.The COVID-19 Visualizations Collection (COVIC)
captures interaction technique, visual technique,d visualization types at
the figure level and assigns subject, publisher, and publication date to the
article.
Supporting
idea: COVIC is intended to be a resource for ongoing research in various
disciplines such as graphic and information design, journalism, public health,
epidemiology, economics, cognitive psychology, and computer science.
4. COVIC is different from other disaster archives
because it is being created during the pandemic event, allows them to respond
to the ephemeral and rapidly evolving nature of the pandemic.
Supporting
idea: COVIC can be important for discussing and evaluating design solutions and
also serves as an example of a new approach to knowledge building and design
research.
5. The collection of visualizations related to
COVID-19 is important for ongoing research in various disciplines.
Supporting idea: The collection captures interaction technique, visual technique,
and visualization types at the figure level and assigns subject, publisher, and
publication date to the article, making it a valuable resource for research in
fields such as graphic and information design, journalism, public health,
epidemiology, economics, cognitive psychology, and computer science.
(ARGUMENTS
– Opinions)
1. The COVID-19 pandemic led to a sudden increase in
data visualizations in print and online. (Affirmative argument)
The COVID-19 pandemic has resulted in a significant
uptick in the use of data visualizations in print and online media, which is
largely due to the widespread availability of data visualization tools, the
growing trend of data-driven journalism, and the ease of sharing images on
social media platforms.
Firstly, the accessibility of data visualization
software has made it possible for people and organizations to create visual representations
of data easily, regardless of their technical expertise. This has led to a rise
in the number of data visualizations being created and shared.
Secondly, the growing popularity of data journalism
has played a major role in the increase of data visualizations, as the pandemic
has put a spotlight on data-driven reporting, and journalists and news
organizations are increasingly turning to data visualizations to help explain
complex data sets and trends.
Lastly, the ability to share images on social media
platforms has made it easy for people and organizations to disseminate data
visualizations to a wide audience, further popularizing their use and aiding in
the communication of information about the pandemic.
In conclusion, the COVID-19 pandemic has led to a
significant increase in the use of data visualizations in print and online
media, which is largely due to the ease of access to data visualization tools,
the growing trend of data-driven journalism, and the ability to share images on
social media. These factors have made it possible for people and organizations
to create and share data visualizations on a large scale, providing valuable
insights into the pandemic and helping to inform the public.
2 . The pandemic caused a disruption in daily life and
a sense of uncertainty about the future, which led to two communication needs:
the need to qualitatively communicate scientific understanding of the disease,
and the need to collect, quantify and publish data related to the spread and
effect of the disease in a visual format. (non-affirmative argument)
While it could be argued that the COVID-19 pandemic
led to a sudden increase in data visualizations in print and online, it is not
necessarily the case that this was due to a direct correlation between the
pandemic and the communication needs for scientific understanding and data
collection. There are other potential factors that could have contributed to
the increase in data visualizations.
One possibility is that the pandemic simply
highlighted pre-existing trends towards greater data visualization and data
journalism. Prior to the pandemic, data visualization and data journalism were
already growing in popularity, and it is possible that these trends would have
continued regardless of the pandemic.
Another possibility is that the pandemic created an
environment in which data visualizations were viewed as a useful tool for
understanding and communicating about the disease, but it is not necessarily
the case that this was the sole or main driver for the increase in data
visualizations.
Additionally, the sense of uncertainty and
disruption of daily life caused by the pandemic may have led to an increased
demand for information, but this does not necessarily mean that data
visualizations were the only or most effective way to meet this demand.
In conclusion, while it is true that the COVID-19
pandemic led to a sudden increase in data visualizations in print and online,
it is not clear that this was solely due to the pandemic creating a need for
data visualization to communicate scientific understanding and data collection.
There may be other factors at play and it is not clear that data visualization
is the only or most effective way to meet communication needs.
3. The COVID-19 Visualizations Collection (COVIC)
captures interaction technique, visual technique, and visualization types at
the figure level and assigns subject, publisher, and publication date to the
article. (Affirmative argument)
The
COVID-19 Visualizations Collection (COVIC) is a powerful resource for
organizing and accessing data visualizations related to the COVID-19 pandemic.
First,
COVIC meticulously records the technical aspects of the visualizations, such as
the interaction and visual techniques used, as well as the type of
visualization, allowing users to quickly and easily find visualizations that
utilize specific techniques or types.
Secondly,
COVIC provides crucial context for the visualizations by assigning subject,
publisher, and publication date to the article. This information allows users
to understand the specific topic or area that a visualization is focused on, as
well as the source and date of the visualization.
Lastly,
by providing a comprehensive collection of data visualizations related to the
COVID-19 pandemic, COVIC helps to improve understanding of the disease and its
impact by making the data easily understandable for a wide range of audiences.
In conclusion, the COVID-19 Visualizations Collection (COVIC) is an effective tool for capturing and organizing information about data visualizations related to the COVID-19 pandemic. It efficiently records technical details of the visualizations, provides valuable context, and offers a comprehensive collection of visualizations that facilitates understanding of the pandemic.
4. COVIC is different from other disaster archives
because it is being created during the pandemic event, allows them to respond
to the ephemeral and rapidly evolving nature of the pandemic. (Affirmative argument)
The COVID-19 Visualizations Collection (COVIC) is a
unique and valuable resource for understanding and responding to the COVID-19
pandemic.
Firstly, COVIC is different from other disaster
archives because it is being created during the pandemic event. This allows
COVIC to respond to the ephemeral and rapidly evolving nature of the pandemic
by capturing and preserving data visualizations in real-time, rather than after
the event has passed.
Secondly, COVIC allows for a quick response to the
constantly changing information about the pandemic, this is because the
collection is being updated during the pandemic event, it captures current and
up-to-date data visualizations, which can be used by researchers, journalists,
and policymakers to make informed decisions.
Additionally, COVIC allows for a better
understanding of the pandemic in real-time, this is because the collection
captures data visualizations from different sources and perspectives, which
provides a more comprehensive and nuanced understanding of the pandemic and its
impact.
In conclusion, COVID-19 Visualizations Collection (COVIC) is an exceptional and valuable resource for understanding and responding to the COVID-19 pandemic, because it is being created during the pandemic event, it allows for a quick response to the constantly changing information about the pandemic, which allows researchers, journalists, and policymakers to make informed decisions and have a better understanding of the pandemic in real-time.
5. The collection of visualizations related to
COVID-19 is important for ongoing research in various disciplines. (Affirmative
argument)
The compilation of visual representations of
COVID-19 data is crucial for ongoing research across different fields. These
visualizations make it simpler to interpret complex information and aid
researchers from various disciplines in understanding and analyzing data
related to the pandemic.
For example, by visualizing the spread of the virus
over time and in different locations, researchers can gain insight into how the
virus spreads and its effects on different populations. Additionally, visualizations
can be utilized to monitor the pandemic's impact on various aspects of society
such as healthcare, economy, and education, allowing researchers to identify
the factors that contribute to the pandemic and its effects, and to devise
strategies to mitigate these impacts. Furthermore, visualizations can be used
to evaluate the effectiveness of different policies and interventions, such as
testing and vaccination rates, which can assist researchers and policymakers in
making data-driven decisions on how to respond to the pandemic. Lastly,
visualizations can aid in creating a more comprehensive understanding of the
pandemic by combining data from multiple sources and disciplines, leading to
new insights and knowledge.
In conclusion, the collection of visualizations
related to COVID-19 is a vital resource for ongoing research in various
disciplines, as it enables the communication of complex data in an easily
understandable format, allows for the tracking of the pandemic's impact on
different aspects of society, enables the evaluation of policies and
interventions and leads to new insights and knowledge about the pandemic.
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